{"id":2140,"date":"2011-01-13T20:08:17","date_gmt":"2011-01-14T02:08:17","guid":{"rendered":"http:\/\/composta.net\/callejonmagenta\/?p=443"},"modified":"2013-03-20T17:56:37","modified_gmt":"2013-03-20T23:56:37","slug":"sin-deseos-de-ser-de-otra-manera","status":"publish","type":"post","link":"https:\/\/dianamartin.net\/es\/sin-deseos-de-ser-de-otra-manera\/","title":{"rendered":"Sin deseos de ser de otra manera"},"content":{"rendered":"

\u00abI know very well that I would be better off living normally, better off keeping to the straight and narrow, not to be (at the age of 30 years) as futile as Cherubino di amore for Beaumarchais (…). I know that I do not have enough respect for the law, that I am as scatterbrained as a mayfly, and as unworried as a monk, I know that I do not contribute to the good of the State but that which you do not suspect and that which will cause all serious people to faint, right up until the fifth male generation, is that I am happy and almost proud of being like this and not otherwise…. I hope that this surpasses the boundaries of decent insanity…\u00bb<\/span><\/em><\/p>\n

-\u00abS\u00e9 muy bien que estar\u00eda mejor viviendo normalmente, mejor si me mantuviera en lo derecho y estrecho, no ser (a la edad de 30 a\u00f1os) tan f\u00fatil como Querubino como con su amor por Beaumarchais (…) S\u00e9 que no tengo suficiente respeto por la ley, que soy tan atolondrado como una ef\u00edmera, tan despreocupado como un monje, s\u00e9 que no contribuyo al bien del Estado, pero lo que no sospechas es que aquello que hace que la gente seria se desmaye, hasta la quinta generaci\u00f3n masculina, es que estoy feliz y casi orgulloso de ser as\u00ed y no de otro modo…espero que esto sobrepase los l\u00edmites de la locura decente…\u00bb
\n<\/span><\/em><\/p>\n

-Carta de F\u00e9licien Rops a Emile Leclerq, 1863<\/span><\/em><\/p>\n

\n

Una chica casi desnuda, joven y absolutamente deseable lleva sujeto a un cerdo, camina sobre un friso exquisitamente esculpido, con sus botines y sus medias de lazo, manteniendo un perfecto equilibrio a pesar de llevar los ojos vendados por debajo de su sombrero de terciopelo negro. Un mo\u00f1o azul le ci\u00f1e la cintura, como si fuera el cinto que acabar\u00eda por realzar su figura si llevara el vestido. De hecho, la chica lleva todas las prendas que corresponder\u00edan a alguien de su estatus y condici\u00f3n; menos las principales, las que la pondr\u00edan a\u00a0 salvo de las miradas lascivas. Es esta falta de pudor b\u00e1sico, y en que precisamente lleva cubierto aquello que uno quiz\u00e1 podr\u00eda ver sin tanta alharaca, lo que hace parecer a\u00fan m\u00e1s desnuda a la muchacha. <\/span><\/span><\/p>\n

<\/span><\/span><\/p>\n

\"\"<\/a>
"Porn\u00f3krates" la obra m\u00e1s conocida de F\u00e9licien Rops<\/figcaption><\/figure>\n

\n

Se han hecho m\u00faltiples an\u00e1lisis de esta obra: que si el cerdo representa las bajas pasiones dominadas apenas, que si mas bien es el dominio del hombre por parte de la mujer a trav\u00e9s del sexo, que si los \u00e1ngeles que revolotean alrededor de la mujer son sus antiguos amantes, algo es cierto, al autor de esta obra, el grabador y dibujante belga F\u00e9licien Rops<\/strong>, el debate le hubiera parecido maravilloso. <\/span><\/span><\/p>\n

Rops naci\u00f3 en 1833, su talento para descubrir en im\u00e1genes las falsedades de su tiempo, su mirada agud\u00edsima a las hipocres\u00edas de la sociedad en que habitaba, y su t\u00e9cnica impecable, lo llev\u00f3 a ser uno de los simbolistas m\u00e1s pol\u00e9micos y respetados de su momento. En su trabajo siempre hay un trasfondo, un mensaje entre l\u00edneas que incluso nos hace olvidarnos por un momento de su magn\u00edfica t\u00e9cnica.<\/p>\n

Fu\u00e9 precisamente su extraordinaria habilidad la que le trajo reconocimiento de varios artistas, ello le abri\u00f3 las puertas hacia Par\u00eds<\/strong>. Durante una de sus visitas a la Ciudad Luz estudi\u00f3 grabado al aguafuerte con los maestros Bracquemond y Jacquemart<\/strong>. Dado que su amor primario era la l\u00ednea, no tard\u00f3 en volverse un maestro de todas las t\u00e9cnicas de grabado, en particular el barniz blando, la punta seca y el aguatinta.<\/p>\n

\"\"<\/a>
"La muerte bailarina" grabado en aguafuerte<\/figcaption><\/figure>\n
\"\"<\/a>
"Hipocres\u00eda" grabado en aguafuerte<\/figcaption><\/figure>\n

Rops conoci\u00f3 al escritor Charles Baudelarie<\/strong> a trav\u00e9s del editor Auguste Poulet-Malassis, para ese momento, el franc\u00e9s estaba completamente seducido por la obra del belga, y dijo alguna vez, refiri\u00e9ndose a F\u00e9licien en una carta a Manet<\/strong>: \u00ab\u00a1Rops es el \u00fanico artista verdadero -y tal vez aquello a lo que s\u00f3lo yo me refiero como \u00abartista\u00bb- que he encontrado en Belgica!\u00bb Pronto, Rops se encontraba haciendo la portada de \u00abLas Epaves\u00bb <\/strong>de Baudelaire, de esta obra, el autor franc\u00e9s se expres\u00f3 as\u00ed: \u00ab\u00a1Oh Monsieur Rops, esto est\u00e1 tan vivo…nunca ganar\u00e1 un premio de Roma, pero su talento es tan vasto como la pir\u00e1mide de Keops!\u00bb.<\/p>\n

\"\"<\/a>
La portada que realiz\u00f3 para "Les Epaves" de Charles Baudelaire<\/figcaption><\/figure>\n

En su madurez, Rops se mud\u00f3 definitivamente a Par\u00eds, ah\u00ed vivi\u00f3 y am\u00f3 a las hermanas Duluc, de sus numerosas relaciones amorosas, las que sostuvo con Auler\u00ede y Leontine fueron las que m\u00e1s duraron, incluso tuvo una hija con la primera.<\/p>\n

En este punto de su carrera, Rops era el mejor ilustrador de Par\u00eds y trabajaba para una gran cantidad de escritores, entre ellos se encontraban: Th\u00e9ophile Bautier, Alfred de Musset, Barbey d\u00b4Aurevilly, Jos\u00e9phin Pelladan<\/strong> y muchos otros.<\/p>\n

\"\"<\/a>
"La tentaci\u00f3n de San Antonio" otro de sus dibujos m\u00e1s conocidos<\/figcaption><\/figure>\n

F\u00e9licien muri\u00f3 en 1898, tras padecer por diez a\u00f1os una enfermedad en los ojos que lo oblig\u00f3 a bajar su ritmo de trabajo. Al final de sus d\u00edas lo acompa\u00f1aban sus amadas Aureli\u00e9n y Leontine, su hija Claire y sus amigos m\u00e1s cercanos.<\/p>\n

Rops siempre mantuvo un perenne amor a la vida misma, y aunque su estilo de vida nos suene ahora escandaloso, lo que para \u00e9l imperaba era la honestidad, siempre se debati\u00f3 por ser lo m\u00e1s fiel a s\u00ed mismo que pudo, en el camino rompi\u00f3 conciencias y algunos corazones, pero al final lo logr\u00f3.<\/p>\n

(…) I have faith in art, and indeed a great faith. I have arrived at a stage in life that I find particularly pleasant, since having seen almost everything that needs or must be seen in order to formulate one’s judgement on things, to sort out one’s vision on human beings, I am neither blas\u00e9 nor exhausted, nor tired. I have all my teeth, my kidneys are solid enough to carry out their functions and I have such a great love of life that it seems to me every morning as if I am reborn (…).\u00a0\u00ab<\/em><\/span><\/p>\n

(…) Tengo fe en el arte, y es en realidad una gran fe. He llegado a una etapa de la vida que encuentro particularmente agradable, tras haber visto casi todo lo que se necesita o debe verse para poder hacerse un\u00a0 juicio propio de las cosas, para hacerse una visi\u00f3n personal de los seres humanos, no estoy agotado, ni exhausto. Tengo todos mis dientes, mis ri\u00f1ones son lo suficientemente s\u00f3lidos como para llevar a cabo sus funciones y tengo tal amor a la vida que me parece renacer cada ma\u00f1ana (…)\u00bb
\n<\/span><\/em><\/p>\n

<\/span><\/em> – Carta de F\u00e9licien Rops<\/span> a Edmond Picard, 1878<\/span><\/em><\/span><\/em><\/p>\n

\n

<\/span><\/p>\n


\n<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

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